Melbourne Zoo sketching

(On Saturday I went sketching at Melbourne Zoo  with Meegan and Kaz.

It was a sketching visit to the zoo, not a general visit. The three of us have three very different sketching techniques and approaches, using different pencils, crayons and paints.

23Jan16 zoo merged page

I wanted to sketch in a larger book than my everyday 13 x 19 Moleskine watercolour sketchbook. I had an old account ledger book I had bought years ago at a market. It is foolscap size, which is a bit bigger than A4. I knew the paper would be thin and not take much water with my water colour pencils. It would buckle and the colours would not be bright. I decided that it was an opportunity to experiment with some ink pens had been given. I mainly used the Sumiro – Thin line

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It has a soft tip and you can vary the thickness and thinness of the line, depending on how much you press the tip of the pen on the page. I am pleased with the result. In one way there is a lot less control of the line the pen makes, but you also get more control as you can press heavier to quickly create thick lines to show shadow or weight – great for sketches where you are trying to get the basic details down on paper quickly.

 

 


 

We saw about one third of the zoo. We walked past some enclosures where the animals were obviously not in sight or were staying undercover (tiger , lemur, otter) or in the distance (pygmy hippopotamus, mandrills ) and others were too lively (red panda). At the end of the day we had spent quality time sketching and closely observing the Elephants, Gorillas, and Orangutans, Tree Kangaroos,  and Colobus monkeys.


 

My sketches from the day – five animals

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Asian Elephants – The first elephant was on his own, having a great time playing with tyres against a tree. I did some  warm up sketches, not finishing many, but trying to get an understanding of how they move and parts of the body fit together

We then move into the elephant barn, where four (of the eight)  elephants were being cleaned and  measured by the keepers. There was a large audience.

I’ve drawn elephants before for my Elephant in the Room Sketchbook Project.

 


Tree kangaroo

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There were two tree kangaroos in the enclosure. One stayed in one place the entire time we were there, the other moved a bit, giving us the chance to sketch from different angles. There was also time to use colour . There were some active monkeys on the next enclosure and they attracted everyones attention, so the tree kangaroos were not as popular and  people moved on quickly. Tree kangaroos are from New Guinea, far northeastern Queensland and some of the islands in the region. Most tree-kangaroos are considered threatened due to hunting and habitat destruction.


Gorillas – There is a family of Gorillas including a baby, a few adults and one Silverback . He has  a commanding presence and such power.

(I heard a young girl say “One day can I have a gorilla in my home?”)

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The Black-and-white colobus’ monkeys have beautiful contrasting black and white fur. Hunting led to the colobus’s extermination in some areas. excessively for its beautiful fur. Its skin was  used to make dance costumes, hats, and capes. The biggest threat to the colobus today is habitat loss.

(I heard a young boy say “Mum , have a look at these luscious locks”)

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Why draw at the Zoo?

Firstly for the pleasure in the line on the paper (See my previous blog post on Why drawing makes me happy ). Some images gradually come to life on the page, and I don’t know how they will turn out. Sometimes a few lines will capture the basic shape. Often they will not. Many sketches were not finished on the day, as I started again and again from another angle. (Only a few of the best sketches of the day are on this page). This happens as the animal changes position, moves away or visitors unknowingly move in front.

When I draw I am putting my raw and primary reaction to the animal. My two friends and I drew the same animals, but often focused on different things – colour, shape, texture – and our interpretations were very different too.

I have the opportunity to observe the animal, their colour, shape and how they move. These are things I would not have noticed at a superficial viewing or taking a photo. In general people do not have an understanding of animal bodies, and each animal is so very different. You cannot transfer the human proportions and muscles and shapes to animals, just the tools of measuring comparative shapes and distance.

We will return another day to see and sketch more of the zoo. !

 

 

9 thoughts on “Melbourne Zoo sketching

  1. Bella

    So many lovely sketches, some quite touching and gentle. I especially like the Asian elephant and colobus monkeys. You seem to have so much knowledge too!

  2. Jules

    Fabulous! I really like the sketches in the ledger book, and the strong lines of the gorillas. You’re inspiring me to take the plunge and visit our zoo!

  3. alissa Post author

    Thanks Meegan . It was really enjoyable to sketch with you. I am always inspired by your loose linework and use of colour !

  4. alissa Post author

    I really appreciate the opportunities that I have on offer in the city. I often have to remind myself to make the time to visit. Thanks Matthew

  5. alissa Post author

    Thanks Jules for your lovely comments. I had a great day. We did not know or plan which animals to sketch. I am really please with one gorilla sketch of only a few lines. It only took seconds to put on paper but I was amazed with what I had put on paper. Go to the zoo!

  6. Nina

    I just discovered sketching and watercoloring four months ago, and now your blog! I love the idea of a previous post to draw in old books. I love books and upcycle battered old paperbacks into pretty, giftable new bindings. Your post makes me want to add in little sketches inside! Old paperbacks generally have pretty coarse paper, what mediums do you use to sketch in them?

  7. alissa Post author

    Hello and welcome ! Thank you so much for your comments. I am glad that are inspired. I am currently working towards an exhibition in July in Melbourne about drawing in books. I did numerous testing to prime the pages, with gesso, Daniel Smith watercolour ground and Matte Medium. I was specifically testing the pages of different books to see how they cope with they way that I use watercolourpencils. In the end, for me, the majority of pages did not need a primer or if they did I used Liquitex Matte Medium. The other primers left the page too coarse for my needs. The book pages that required it were 1950’spaperbacks. I hope this helps. Happy sketching

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